The PSA1+ is an updated version of Rode's PSA1 studio-standard mic arm that's graced studios around the world since 2003. I've owned several and the cheap arms are at best stiff and noisy, and at worst weak and undersized- they’re just not a great place to save money. Mic Arm: Rode PSA1+ - Avoid the urge to go cheap on a mic arm.
#Warehouse levelator movie#
Like asking “which brand of motor oil should I use?” or “which Star Wars movie is the best one?”, you’ll find many opinionated answers. If you research the use of in-line mic pre-amps with the SM7B, you’ll find it isn’t necessity, but personal preference. To mitigate the issue, I now run our dynamic mics with in-line pre-amps.
#Warehouse levelator pro#
My only criticism of the Rodecaster Pro is that it can have a high noise floor when run hard with a gain-hungry mic like the SM7B. You could say I liked the Rodecaster Pro so much I bought it twice. Then in 2020, I was forced into working from home and fell in love with the Rodecaster, and ultimately bought one for our office studio. It does quite a lot, it’s a mixer, interface, processor, pre-amp, and soundboard.Īfter setting it up for my wife’s show, I knew it’s easy to use, and packed a lot of value, but I wasn't ready to abandon my more traditional recording gear just yet. Rodecaster Pro This is what happens when you love your label maker too much.įor our home studio, we picked up a Rodecaster Pro in 2019. If you want a budget-friendly all-in-one solution that still sounds good, there's always the Blue Yeti that has launched many podcasts. The new Shure MV7 is also worth a look as an SM7B alternative that supports USB and XLR. Worth it.Ĭheaper alternatives: In our home office, we used the venerable Shure SM58 for years. To get the best result, you’ll need a pre-amp that can provide +59db of clean gain. It’s not USB, it’s a proper studio equipment and uses XLR cables. The downside is this mic requires a lot of gain. It’s not particularly sensitive so it cuts out a substantial amount of room noise. It has that sought-after rich, warm tone that makes it works so well for voice work. Micheal Jackson used it to record Thriller, Robin Quivers uses one on the Howard Stern show, and Joe Rogan uses them on his podcast. For several years, we used a more traditional broadcast setup consisting of a dbx 286s and a Focusrite Scarlett 2i2. When we started in 2014, the first show was recorded on a $40 travel mic. When it comes to podcasting, your content will always be more important to your success than your gear, but good gear doesn’t hurt, and lousy sound quality doesn’t help.Īs our show has evolved and improved over the years, so has the gear we use to record. Kurt's Pro Podcasting Gear Guide Podcast YouTube Consulting Newsletter Kurt’s 2022 Pro Podcasting Gear Guideĭisclaimer: This page contains Amazon affiliate links, I may get commissions for purchases made through links in this post.
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